Meredith McDonough has been developing new work for the past 10 years at such theatres as Actors Theatre of Louisville, Williamstown Theatre Festival, Round House Theatre, The Public Theatre, LAByrinth Theatre Company, Ars Nova, Women's Project and Productions, New Georges and The Drama League. She most recently directed Lisa Dillman's Half of Plenty in the Summer Play Festival in NYC. Other NY credits include The Wikepedia Plays (Ars Nova), as well as the premieres of Adam Rapp's Members Only , Gary Winter's The Impotent General , Betty Shamieh's Again and Against (New Georges), and Itamar Moses' Authorial Intent (Drama League). She has directed workshops of Megan Mostyn-Brown's The Rest of Your Life at LAByrinth Theatre Company's Barn Series at The Public Theatre as well as for Primary Stages. Regionally, she has directed Driving Miss Daisy (Delaware Theatre Company) the DC premiere of the musical Summer of '42 (Round House Theatre), the premiere of Alison Moore's Hazard County (Actors Express), and during her 3 seasons at Actors Theatre of Louisville, she directed the world premieres of Kuwait, A Bone Close to My Brain, Heaven and Hell , and Backstory in the Humana Festival. She was also the Boris Sagal Fellow at the Williamstown Theatre Festival where she directed Sarah Ruhl's Eurydice, and was the National Assistant on Suzan-Lori Parks ' 365 Days / 365 Plays. Other favorite credits include Angels in America , Full Circle , Balm in Gilead , Baltimore Waltz and A Bright Room Called Day . In addition to her work developing new plays, she also works with new musicals, and was the New Works Program Director for the National Alliance for Musical Theatre. She is a member of Women's Project Director's Lab, an affiliated artist with New Georges, and was a Drama League fellow. She holds an MFA in directing from UCSD and a BS in Performance Studies from Northwestern University .